The Florida Project | Scotch Mist | Aesthetic | Fan Edit | Indie | Sean Baker | Arthouse |

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Описание видео: The Magic Castle motel is the kind of place most people don’t even notice as they speed past it on their way to the Magic Kingdom. Of course, it helps Baker greatly that he found a future star in Brooklynn Prince, who gives one of the best child performances in years. Co-writer/director Sean Baker very carefully conveys the specific truths of his characters’ daily lives and it’s that honesty that makes “The Florida Project” so powerful. Concept by Ashish Noel: instagram.com/ashish_noel_?ig... She’s so genuine that you forget that Moonee is a character, falling completely into her life as if it’s true. Baker does neither. It’s just one of those silly things kids do when they have nothing else planned. And here’s where we get to one of those aforementioned points where “The Florida Project” becomes hard to put into words. In a long, very notable career, this is one of Dafoe’s best performances. “The Florida Project” is a very special movie.... Baker very purposefully introduces us to his child protagonists first, best friends Moonee (Brooklynn Prince) and Scooty (Christopher Rivera). Movie Introspection: It’s hard to describe “The Florida Project” in a way that conveys its greatness without making it sound maudlin and sentimental. And the tonal balancing act of “The Florida Project” is the main thing that makes it so breathtaking. He recognizes that Moonee is kind of a unique kid, the sort who can get a kick out of making noises into an oscillating fan or brushing her doll’s hair in the tub, but he never makes her into a precocious Hollywood cliche of the wide-eyed innocent. Some of our greatest films achieve their greatness by presenting us with characters who feel completely fully-realized and three-dimensional. Like Moonee’s story, Bobby’s appearances in the film are often episodic, but Dafoe uses these little beats to create a fully three-dimensional character. We basically journey through the day-to-day life of a wide-eyed, funny, creative kid, the kind who puts a dead fish in the pool to bring it back to life and turns off the power to the entire motel just to see what happens. Our Instagram Page Link: instagram.com/keplimited?igsh... Someone else who senses that Halley and Moonee are good people on slippery terrain is the hotel manager Bobby, played perfectly by Willem Dafoe. As “The Florida Project” progresses, we realize that Moonee’s mother Halley (Bria Vinaite) is sliding away socially and economically. Moonee knows the deal. He has seen dozens of Moonees and Halleys come through his motel, and yet he can’t quite completely detach from the human lives in the rooms he rents. It is one of those films that defies its plot description through its execution. It’s not adding up to enough to keep her family fed or a roof over their head. She struggles to make the rent, can’t get a job, and sells perfume in the parking lots of the fancier hotels in Orlando. It is a film of small notes that combine to form something major, the kind of movie that sneaks up on you and sticks with you. It’s enough to make you want to slow down the next time you pass a place like the Magic Castle and look more closely at the lives unfolding there. On a strip of cheap motels, gun stores, tourist traps, and various other establishments, this motel houses all kinds, from the tourists looking for something cheap (or, in one of the movie’s funniest scenes, booking the wrong hotel) to the working class who have basically turned it into permanent lodging. This is a remarkable film, one of the best of the year. It is a perfectly modulated, beautiful piece of work. There’s nothing overly special about Moonee or her life in typical movie ways. After the owner of the car gets angry, Moonee and Scooty get a third partner-in-crime in her granddaughter, the sweet Jancey (Valeria Cotto). It is an all-too-common story of a single mother and her daughter on the edge of the social ladder, but it is told in a way that embraces its details instead of trying to achieve some sort of universal statement. If I tell you that it consists largely of the adventures of these precocious motel-residing kids, it would probably sound like some horribly cloying piece of Hollywood trash, those movies that idealize youth and really look down on poverty. She knows more than most adults around her. But she wants to have fun everyday. Every day is a bit of an adventure for Moonee, but Baker is careful not to romanticize that at the same time. They’re running to a neighboring motel so they can spit on a car from the balcony above. It takes a very special movie to change the way we look at the people around us. Just another day near the happiest place on Earth.

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